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supported by 5 fans who also own “Hexagon Riders”
Comme Satan Worshipping Doom et Miserable, Terminal est un album qui vraiment toute son ampleur quand il est écouté d'une traite car il s'agit d'une lente agonie qui s'étend sur presque trois-quarts d'heure. Les sonorités psychédéliques propres à Bongripper sont absentes et le stoner/doom metal du quartette tend plutôt vers une sphère atmosphérique (certains arpèges de "Slow" ne sont pas éloignés de celles de Earth) voire funéraire et la mort finit par s'imposer comme la seule évidence possible.
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supported by 5 fans who also own “Hexagon Riders”
Amazingly graduating, integrated and sound-perfect album
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supported by 4 fans who also own “Hexagon Riders”
What a beautiful, haunting experience all around, always melts me from start to finish. Incredible and deep sound, amazing atmosphere and cohesion, unexpected jazz elements unlike anything I've heard, and don't get me started on the vocals. Really hard to choose a favorite track.
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Wild, dark, heavy psychedelia that approaches dystopian visions of the present with absurdist humor.
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Dreamy doom-pop for the spooky season from Seattle's Tylo.
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Alicia Bognanno hasn’t strayed from her ‘90s grunge influences, but she’s added in a little pop-punk pizzazz.
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